Speer Goes to Hollywood

Synopsis

Albert Speer is an enigma. The highest-ranking Nazi in Nuremberg to be spared the death sentence, Speer was one of Hitler’s closest confidants and his chief architect, tasked with rebuilding Berlin as the capital of a global empire. Appointed Minister of Armaments and War production in 1942, Speer was responsible for 12 million slave laborers. And yet, even now, he has the reputation of being the ″good Nazi″ – a myth he carefully constructed himself. The film meets its protagonist in 1971, while Speer was working on a screenplay for Paramount Pictures, based on his memoir “Inside the Third Reich”. Based on forty hours of previously unheard audio cassettes, recorded by screenwriter Andrew Birkin, it features Speer’s callous attempt to whitewash his past with a feature film. The audio narrative is supplemented by rare archival footage, from before and during World War II, during the Nuremberg Trials and later, during Speer’s retirement. At times juxtaposed and at times interwoven, those three timelines form the narrative of the film that provides ironic and chilling tension.